In this earlier article, I mentioned trying out Paolo Ciconne’s Trucolor preset. I am pleased to say that I have used Trucolor on my XH-A1s for the last three weddings with great success. The colors and flexibility of this preset are amazing.

Here is a fantastic grand entrance by the bride and groom at their wedding on June 28, 2008.

Kristin and Scot’s Grand Entrance from Alan Robinson on Vimeo.

Scot is Lead Vocalist for the FM Dance Band in Philadelphia

About a year ago, I tried using Apple’s Soundtrack Pro to do sound design on a wedding that I was editing. Unfortunately when I exported my mix back into Final Cut Pro, I found that the levels were all over the place and not what I had set during the aduio edit. Since then I have done all audio editing inside Final Cut Pro.

I am pleased to say that Apple has fixed these problems. I just completed sound design on a 25 minute highlight video with no problems. I will now be using Soundtrack Pro on a regluar basis.

Color, Apple’s color grading program included with Final Cut Studio 2, brings the ability to do professional (i.e. Hollywood level) color grading to video. It isn’t the best solution for every editing situation though.

When is Color better than color correcting in Final Cut Pro? If you have to do nothing more than simple levels adjustments or correcting a slight color cast, you are usually better off staying in FCP. But if more extensive color corrections need to be made, or if you are trying to achieve a certain look through grading (a term used for making multiple corrections on a clip), then Color is a good tool to use.

For the event videographer, there is one major limitation. Color doesn’t like FCP Multiclips. If you try exporting a sequence containing Multiclips, you might find clips out of place, or even footage that wasn’t even included in your sequence in the Color timeline. Sometimes the graded timeline cannot be sent back to FCP. The only workaround that I have found is to substitute clips from the orginal media for the Multiclips. This unfortunately makes grading multiclips, or even clips that originated as multiclips difficult and time consuming.

As a result, I am not using Color at this time. Until Apple solves the multiclip issue, color correcting in Final Cut Pro is the only viable option. I do a lot of multiclip work, and can’t afford to take the time to work around this limitation.